1. Colin Vallon
2. Colin Vallon Trio Le Vent

'Reissue of the band's sole album, recorded in 1977. This a jazz-rock album with few zeuhl elements, references are more likely to be found into Herbie Hancock's Headhunters. High energy involved, good vibes, passionate playing and fabulous bass lines of Alain Lecointe. Bangla word software download for windows 10.

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'Reissue of the band's sole album, recorded in 1977. This a jazz-rock album with few zeuhl elements, references are more likely to be found into Herbie Hancock's Headhunters. High energy involved, good vibes, passionate playing and fabulous bass lines of Alain Lecointe. Led by composer Jacques Liot, the album features a stellar crew of musicians: Alain Lecointe on bass (Serge Bringolf's Strave, Alain Eckert, Hamsa Music), Richard Raux (Magma 1st incarnation), Lionel Ledissez (Ergo Sum) etc.

Le vent des dieux download links are. Colin Vallon Trio - Le Vent (2014. Was evident on the ECM debut Rruga three years ago, but with leader Vallon now writing. Download Free Colin Vallon Rruga Rapidshare. In next page click regular or free rruga download and wait. Rruga - Colin Vallon. This site is like a library.

Led by composer Jacques Liot, the album features a stellar crew of musicians: Alain Lecointe on bass (Serge Bringolf's Strave, Alain Eckert, Hamsa Music), Richard Raux (Magma 1st incarnation), Lionel Ledissez (Ergo Sum) etc. Nadavati belongs to the few 70s French bands that went that way: Spheroe, Chute Libre, Transit Express, CCCP. Also comparable to the recent album of Planeto Imaginario - both exploring instrumental landscapes between jazz-rock & progressive.' Comments (0) #6: 8 July 2015 Views: 0. 'Le Vent, recorded in April 2013 at Oslo's Rainbow Studio, is the second ECM album from the Colin Vallon Trio. Like the wind celebrated in its title track, the group has a subtle, insinuating power.

I can not recall the entire Line Up but Monk brought along his Hat Collection which at the time contained I believe he told me 33 or 35 international Hats which he periodically changed often during his Solos. I have been unable to find that roster for that particular festival and since it was long ago I remember mostly Monk & Duke. Paul Gonsalvas played his legendary trademark twenty something chorus solo in between “Diminuendo and Crescendo in Blue” which was outstanding. The first jazz record I bought was Firstly, my Bro George was / is a Marine and he sent home his wax collection of LP's from Camp Pendleton CA before deploying to Okinawa in 1956 I think.

Now Jazz, Blues, Soul, Gospel was pretty much joined at the hip back then and I learned that the tasteful Music was featured on The African American Radio Stations which led me to DJ's Like The Bruce, Jocko Henderson, Tommy Dr. Jive Smalls and eventually Symphony Sid Torin, China Valles and Len Pace. This all took place during my high school years and the following years in NYNY and South Florida. I actually flew to Copenhagen Denmark in 1961 to see Stan Getz, (One of my top 3 heroes in the Music Bird, Pres & Getz not necessarily in that order).

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Colin Vallon

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Colin Vallon Trio Le Vent

Not that Vallon and his trio—which includes percussionist, familiar to ECM fans for his work on pianist 's (2008) and their work with singer on her label debut, the stunning April (2001)—are lacking in direction, but their first recording for ECM has a greater sense of unity, a more consolidated voice that also speaks to the trio's greater longevity, with Rruga reuniting the same lineup as on Ailleurs, also featuring bassist Patrice Moret, a participant on reed man Domenic Landolf's similarly empathic New Brighton (Pirouet, 2010). The greater unity of Rruga is all the more curious for its fundamental shift in compositional input. Vallon remains its titular leader, but Rruga is the first to introduce writing from his trio mates. Rohrer contributes three tunes: 'Polygonia,' where a brooding intro leads to a moment of absolute silence, the trio emerging, like soft rays of sunshine with a stronger allegiance to time, and Vallon and Moret equal thematic partners; the simmering 'Noreia,' its gentle song form and intrinsic lyricism driven by a pulse from Vallon's left hand and Rohrer's consummate balance of timbre and tempo; and the closing 'Epilog,' with Moret's softly spoken bass intro foreshadowing its melancholy melody, dark-hewn by Vallon's languid but note-perfect performance. I love jazz because when I was a kid pop music was bland, plain, uneventful until one day I heard a tune on a juke box entitled “Jump Red Jump” By Tenor Saxophonist Red Prysock brother of Arthur Prysock.