Interpol Turn On The Bright Lights 10th Anniversary Rar
) Interpol 05:59 • 28 (feat. 
) Interpol 04:17.
Interpol's 2002 full-length debut is given a stellar 10th Anniversary reissue complete with demos and B-sides. All told, it makes it unequivocally clear that Turn on the Bright Lights is the sum of its players, not its influences. Interpol have announced a 15th anniversary tour in celebration of their 2002 debut album, Turn on the Bright Lights. On Monday, the rock band revealed European tour dates for the retrospective jaunt.
These rawer recordings really showcase the band's intricate songwriting, particularly Carlos D.' S prominent bass work. One of the best indie records of 2002 (and perhaps the decade), Interpol's debut helped usher in the great post-punk revival of the 21st century by revamping moves from Joy Division to The Chameleons to The Smiths via a propulsive rhythm section, jangly guitar and Paul Banks' stoic, sepulchral drone.
15 Responses • aba Said, One of the best of all time. Posted on • dana Said, awesome!!!! You made my day! Posted on • Kathrynb Said, Thanks, I’ve been expecting this for so long. One of the greatest albums of all time. Posted on • Kevin Said, WOW! Posted on • Nick Said, FUCK YES!
Drummer Sam Fogarino is the perfect anchor for Carlos Dengler's busy, melodic bass lines, keeping the rhythm section forceful and grounded. Guitarist Daniel Kessler is the album's unsung hero, expanding the band's dynamic range by oscillating between wide, monolithic chords and narrow, winding leads. The album's second single 'NYC' achieves two unlikely successes pioneered by Matador labelmates: structuring a ballad around loud, steady drums and withholding all bass guitar until the chorus. 'The New' slips a disco bass line under a morass of swirling, detuned guitars. There are a lot of things about Turn on the Bright Lights that should not work, and would not work were they not so carefully thought through and artfully implemented.
Interpol’s Turn On The Bright Lights is the only album I have had to ban myself from listening to. Music being the key to a whole heap of memories, this was a record I had invested plenty of teenage angst in and was now locked away on iTunes never to be touched again. So why on earth I would volunteer to review its Tenth Anniversary Edition? In short: curiosity got the better of me. I wanted to know whether time had diminished the debut album of a band who arrived fully formed but who are now more fractured than ever before. Carlos Dengler left Interpol two years ago, taking with him a magnetic talent for plucking infinite sorrow from a bass guitar. Worse still, the remaining band members are now on hiatus pursuing other solo projects and, much like The Strokes, seem to view their day job as exactly that.
We never could have imagined that the album would have reached so many people throughout the world. We spent a good deal of time this past year digging through our archives and asking others to dig through theirs in the hopes of uncovering some forgotten material. The result of our hunting and gathering has yielded this Tenth Anniversary Edition of Turn On the Bright Lights.
Thankfully TOTBL is still a miserable record to experience in full. Like Darren Aronofsky’s Requiem for a Dream, its horrors crash over you in a relentlessly mundane manner. There’s little drama in ‘NYC’ and ‘Obstacle 1’ yet their fog of intimacy is oppressive. Amidst a swirl of shrieking guitars and weary baritone, the private perversions of ‘Roland’ and ‘Stella.’ plead for your company so they can suffocate in shared isolation. ‘Obstacle 1’ is almost insurmountable, ‘Obstacle 2’ is inevitable and everything is purposefully vague so you can project your own anxieties onto the black canvas.
(Paul Banks recorded the bass tracks himself for Interpol’s 2014 album, El Pintor.) with Interpol drummer Sam Fogarino promoting the 10th anniversary re-release of Bright Lights in 2012, the Athens, Georgia-based percussionist recalled his time performing with the erstwhile Interpol bassist. Fogarino told SPIN that he often misses the contributions of the bygone Interpol member. “When we were putting this reissue together, there were moments where I missed Carlos. There was a part of me that took it personally when he left. [] But I still love him. I miss the times when we were a unit together.”. Below, watch the music video for Interpol’s “Everything Is Wrong,” the latest single from the band taken from their fifth studio album, El Pintor.
The online music magazine previously produced a video retrospective on Interpol’s TOTBL album, featuring interviews with Banks, Kessler, and Fogarino, which can be viewed online at their website. It has not been reported if former Interpol bassist Carlos Dengler (also known as Carlos D) will be rejoining the band for the anniversary tour.
Interpol Turn On The Bright Lights 10th Anniversary Rar
On record Paul Banks’ could sing the theme tune to Postman Pat and threaten to be submerged by a wave of uncontrollable distress. In these early recordings, he’s positioned too high in the mix, dwarfing Daniel Kessler and co with an anemic drawl.
Turn On The Bright Lights
Interpol have released five full-length albums since their formation in New York City in 1997: Turn on the Bright Lights (2002), Antics (2004), Our Love to Admire (2007), Interpol (2010), and El Pintor (2014). Are you a fan of Interpol? Did you rock out to Turn on the Bright Lights back in the early 2000s? What’s your favorite Interpol song? Do you miss Carlos D. Engenius eoc2611p firmware upgrade.